The latest edition of Nightshift – Oxford's main music paper – includes a review of Cress.
"Tom's cello strapes and wheezes obnoxiously around Rebecca's more tenderly-strummed melody ... giving [Cress] an urgent bite that most acoustic pop lacks."
"Like the plant it takes its name from, 'Cress' is an odd little thing at first glance ... but with a little patience the end result is unexpectedly rewarding."
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